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home·artworks·Awaiting His Return
Awaiting His Return by Edward E. Simmons

plate no. 1588

Awaiting His Return

Edward E. Simmons, 1884

oilImpressionismgenre paintingfigureboatswaterskyrockslandscape
some experience helpful

Recreating this painting will help students develop skills in depicting atmospheric perspective and rendering realistic skin tones in varied lighting conditions. It also provides practice in creating texture with brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, boats, and horizon line.

  2. step 02

    Establish the main color blocks for the sky, water, and land using thin washes.

  3. step 03

    Begin layering the colors in the sky, creating subtle variations in tone and value.

  4. step 04

    Develop the water, paying attention to reflections and the gradations of color as it recedes into the distance.

  5. step 05

    Work on the figure, starting with the larger shapes and gradually adding details and highlights.

  6. step 06

    Add texture to the rocks and foreground using thicker paint and varied brushstrokes.

  7. step 07

    Refine the details of the boats, ensuring they recede in perspective.

  8. step 08

    Add final highlights and shadows to enhance the overall depth and realism.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · cadmium yellow · alizarin crimson

Achieve the sky and water colors by mixing ultramarine blue and white, adjusting the ratios for different values. Use burnt umber and white for the rocks, adding touches of yellow ochre for warmth. Mix alizarin crimson and burnt umber for darks.

techniques

  • ·atmospheric perspective
  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·glazing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated, resulting in a flat and unrealistic appearance.
  • →Ignoring the effects of light and shadow on the forms.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grit canvas for better texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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