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home·artworks·Autumn Twilight View of Copway Peak (Mount Chocorua, New Hampshire)
Autumn Twilight View of Copway Peak (Mount Chocorua, New Hampshire) by Thomas Cole

plate no. 1358

Autumn Twilight View of Copway Peak (Mount Chocorua, New Hampshire)

Thomas Cole, 1834

oil, panelRomanticismlandscapemountainlaketreesforestskyboat
some experience helpful

This painting provides an opportunity to practice atmospheric perspective and rendering complex natural textures like foliage and reflections. Students can also learn about creating depth through layering and value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the mountain, treeline, and lake.

  2. step 02

    Establish the sky with a gradient of warm yellows and oranges.

  3. step 03

    Block in the mountain mass with dark greens and browns, paying attention to its form.

  4. step 04

    Add the darker areas of the forest, using a mix of browns, greens, and reds.

  5. step 05

    Begin layering the foliage, using smaller brushstrokes to create texture.

  6. step 06

    Paint the lake with reflected colors from the sky and surrounding landscape.

  7. step 07

    Add details to the foreground elements, such as the fallen tree and boat.

  8. step 08

    Refine the details and adjust values to create depth and atmosphere.

color palette

primary · yellow ochre · burnt umber · ultramarine blue

secondary · cadmium red · sap green · titanium white

Mix greens by combining ultramarine blue and yellow ochre, adjusting the ratio for different shades. Achieve warm browns by mixing burnt umber with cadmium red or yellow ochre. Use titanium white to lighten colors and create highlights.

techniques

  • ·atmospheric perspective
  • ·layering
  • ·dry brushing
  • ·color mixing
  • ·rendering reflections

common pitfalls

  • →Overworking the details too early
  • →Using too much pure color without mixing
  • →Ignoring the importance of value contrast
  • →Failing to create a sense of depth

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#4 round brush
  • ·#6 flat brush
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·oil paints

optional

  • ·palette knife
  • ·painting medium
  • ·easel
  • ·rags

Use a medium-grit canvas for better texture. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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