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home·artworks·Autumn Sunlight, Öskjuhlíð
Autumn Sunlight, Öskjuhlíð by Asgrimur Jonsson

plate no. 9832

Autumn Sunlight, Öskjuhlíð

Asgrimur Jonsson, 1920

oilImpressionismlandscapelandscapeskymountainsfiguressunsetwater
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve atmospheric perspective and practice loose, expressive brushwork to capture the fleeting light of a sunset.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the mountains and figures.

  2. step 02

    Establish the sky with broad strokes of pink, purple, and yellow, blending the colors softly.

  3. step 03

    Block in the distant mountains with muted purples and blues, creating a sense of depth.

  4. step 04

    Paint the foreground with a mix of cool and warm purples, adding texture with visible brushstrokes.

  5. step 05

    Add the reflection of the sunset on the water using horizontal strokes of orange and yellow.

  6. step 06

    Define the figures with simple shapes and dark values, suggesting their silhouettes against the light.

  7. step 07

    Refine the details in the sky and foreground, adding highlights and shadows to create depth and dimension.

  8. step 08

    Add final touches, such as subtle color variations and texture, to enhance the overall atmospheric effect.

color palette

primary · ultramarine blue · alizarin crimson · cadmium yellow

secondary · titanium white · burnt umber

Mix purples by combining ultramarine blue and alizarin crimson. Achieve atmospheric perspective by adding white to colors for distant elements. Use yellow and white for the sunset glow.

techniques

  • ·wet-on-wet blending
  • ·broken color
  • ·atmospheric perspective
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overblending the colors, resulting in a muddy appearance.
  • →Neglecting to create a sense of depth through atmospheric perspective.
  • →Making the brushstrokes too uniform, losing the expressive quality of the original.
  • →Overworking the details, resulting in a stiff and unnatural look.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-grain canvas to allow for texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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