apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Autumn Splendor
Autumn Splendor by Franklin Carmichael

plate no. 1196

Autumn Splendor

Franklin Carmichael

oilArt Nouveau (Modern)landscapetreesautumnlandscapefoliageforestsky
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and using expressive brushstrokes to capture texture. It also provides practice in simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, focusing on the placement of the main tree trunks and foliage masses.

  2. step 02

    Establish a base layer of color for the sky, distant hills, and overall ground tone.

  3. step 03

    Block in the larger areas of foliage with simplified shapes, using a variety of greens, yellows, and oranges.

  4. step 04

    Add darker values to the shadows within the foliage and under the trees to create depth.

  5. step 05

    Begin adding highlights to the leaves and branches, using lighter shades of yellow and green.

  6. step 06

    Define the tree trunks and branches with darker browns and grays, paying attention to their form and direction.

  7. step 07

    Add details to the foreground, such as rocks and fallen leaves, using short, expressive brushstrokes.

  8. step 08

    Refine the overall painting, adjusting colors and values as needed to create a cohesive and harmonious image.

color palette

primary · yellow ochre · sap green · burnt umber · titanium white

secondary · cadmium yellow · ultramarine blue · cadmium red

Mix greens by combining yellow ochre and ultramarine blue. Create variations in foliage by adding small amounts of cadmium red or burnt umber to the green mixtures. Use white to lighten colors and create highlights.

techniques

  • ·impasto
  • ·broken color
  • ·scumbling
  • ·layering
  • ·alla prima

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a strong value structure.
  • →Ignoring the importance of edges and transitions between shapes.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-textured canvas to enhance the brushstrokes. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Kolo Moser

Kolo Moser

Koloman Moser

L'Atelier de Diebold Lauber

L'Atelier de Diebold Lauber

Léo Schnug

Family Gathering in Saint Idesbald

Family Gathering in Saint Idesbald

Georges Lemmen

The Kiss

The Kiss

Rose O'Neill

His grandmother had Told Him (from The Garden of Paradise)

His grandmother had Told Him (from The Garden of Paradise)

Edmund Dulac

Two girls

Two girls

Felice Casorati

Girl with a rose

Girl with a rose

Paul Mathiopoulos

The King

The King

Alexandre Benois