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home·artworks·Autumn, New Hampshire
Autumn, New Hampshire by William Hart

plate no. 1137

Autumn, New Hampshire

William Hart

oilRomanticismlandscapetreeswaterlandscaperiverrocksautumn
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating depth through layering of values. It will also provide practice in rendering realistic water reflections and foliage.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the river and major tree masses.

  2. step 02

    Establish the sky color with a thin wash of blue, allowing for subtle variations.

  3. step 03

    Block in the dark values of the trees and shadows, using a mix of browns and blacks.

  4. step 04

    Begin layering in the mid-tones of the foliage, using warmer colors like yellows and oranges.

  5. step 05

    Define the river's form by painting the reflections and highlights, paying attention to the flow of water.

  6. step 06

    Add details to the rocks and foreground, using dry brush techniques to create texture.

  7. step 07

    Refine the edges and details of the trees, adding branches and leaves.

  8. step 08

    Glaze over areas to adjust values and color temperature, creating a sense of atmosphere.

color palette

primary · burnt umber · yellow ochre · ultramarine blue

secondary · cadmium yellow · burnt sienna · titanium white

Mix browns by combining burnt umber and ultramarine blue. Achieve warm autumn colors by blending yellow ochre, cadmium yellow, and burnt sienna. Use white to lighten values and create atmospheric haze.

techniques

  • ·layering
  • ·glazing
  • ·dry brushing
  • ·atmospheric perspective
  • ·rendering reflections

common pitfalls

  • →Overworking the details and losing the overall atmospheric effect.
  • →Creating flat, lifeless colors by not mixing enough variations.
  • →Ignoring the importance of value contrast in creating depth.
  • →Making the water appear static by not capturing the movement and reflections.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·cadmium yellow oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·#4 round brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

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