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home·artworks·Autumn Morning
Autumn Morning by Sydney Laurence

plate no. 8586

Autumn Morning

Sydney Laurence

oilRomanticismlandscapelandscapetreeswatermountainscabinautumn
some experience helpful

Recreating this painting will help students develop skills in color mixing for natural light and shadow, as well as techniques for depicting reflections in water and creating texture with brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the mountains, trees, cabin, and water.

  2. step 02

    Establish the sky with light blues and grays, blending softly.

  3. step 03

    Block in the distant mountains with purples and blues, keeping the values slightly darker than the sky.

  4. step 04

    Apply a base layer of yellows and oranges for the trees, varying the hues to create depth.

  5. step 05

    Paint the cabin with dark browns and blacks, adding highlights to suggest form.

  6. step 06

    Develop the foreground with a mix of greens, yellows, and browns, using broken brushstrokes to create texture.

  7. step 07

    Add reflections in the water, using slightly muted versions of the colors above.

  8. step 08

    Refine details such as tree branches and highlights, paying attention to the direction of light.

color palette

primary · yellow ochre · ultramarine blue · burnt sienna · titanium white

secondary · alizarin crimson · cadmium yellow light · raw umber

Achieve the golden hues of the trees by mixing yellow ochre with cadmium yellow light and a touch of burnt sienna. Create the mountain purples by blending ultramarine blue with alizarin crimson and white. Mute colors for reflections by adding a touch of complementary color.

techniques

  • ·broken color
  • ·wet-on-dry layering
  • ·scumbling
  • ·alla prima
  • ·color temperature

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Creating overly symmetrical reflections.
  • →Ignoring the effect of atmospheric perspective on distant objects.
  • →Using brushstrokes that are too uniform and lack variation.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·painting apron

Use a medium-textured canvas to allow for better paint adhesion and brushstroke visibility. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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