
plate no. 9211
John Henry Twachtman, 1902
Recreating this painting will help students develop skills in layering colors to create depth and atmosphere, as well as capturing reflections in water using broken brushstrokes.
technical profile
approach — 8 steps
Sketch the basic composition, indicating the horizon line, the shape of the hill, and the placement of the trees.
Apply a thin wash of diluted burnt umber or raw sienna to tone the canvas.
Block in the large areas of color: the sky, the hill, the water, and the foreground.
Begin layering colors to create the texture of the foliage and the reflections in the water.
Use short, broken brushstrokes to suggest the movement of light and shadow.
Add details to the trees and foreground, using a smaller brush.
Refine the colors and values, paying attention to the overall harmony of the painting.
Add final highlights and details to complete the painting.
color palette
primary · viridian green · ultramarine blue · burnt sienna · yellow ochre
secondary · titanium white · raw umber · cadmium yellow light
Mix greens by combining blues and yellows, and create muted tones by adding small amounts of complementary colors. Use white to lighten values and create atmospheric effects.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-tooth canvas to allow for better paint adhesion and texture. Consider using a limited palette to simplify color mixing.
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