apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Autumn Leaves
Autumn Leaves by Tetyana Yablonska

plate no. 4455

Autumn Leaves

Tetyana Yablonska, 2004

pastel, paperImpressionismstill lifestill lifeleavesvasebrancheswindowtable
some experience helpful

Recreating this pastel painting will help students develop skills in layering colors, creating soft edges, and capturing light and shadow with expressive strokes. It also provides practice in simplifying complex forms and focusing on the overall impression of the subject.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 6 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the vase, leaves, and background.

  2. step 02

    Apply a base layer of light yellow pastel across the entire background.

  3. step 03

    Add darker shades of green and yellow to define the vase and table.

  4. step 04

    Use short, broken strokes to build up the form of the leaves, varying the pressure for different values.

  5. step 05

    Add thin, dark lines to represent the branches.

  6. step 06

    Layer lighter pastel colors on top to create highlights and a sense of depth.

  7. step 07

    Soften edges by gently blending with a finger or blending stump.

  8. step 08

    Add final details and highlights with white and light yellow pastel.

color palette

primary · yellow ochre · olive green · white

secondary · burnt sienna · light blue · dark green

Achieve the various shades of green by mixing yellow ochre with olive green and small amounts of burnt sienna. Use white to create highlights and lighten the overall color palette.

techniques

  • ·layering
  • ·blending
  • ·broken strokes
  • ·scumbling
  • ·soft edges

common pitfalls

  • →Over-blending, which can result in a muddy appearance.
  • →Using too much pressure, which can make the pastel look heavy.
  • →Neglecting the background, which is essential for creating depth.
  • →Failing to vary the stroke direction, which can make the painting look flat.

materials

surface · pastel paper (toned)

required

  • ·Pastel set (soft pastels)
  • ·Pastel paper (toned)
  • ·Blending stump
  • ·Kneaded eraser
  • ·Fixative spray
  • ·Drawing board
  • ·Paper towels

optional

  • ·Workable fixative
  • ·Easel
  • ·Palette for pastels

Choose a pastel paper with a slightly rough texture to grip the pastel. A toned paper will help to unify the colors and create a more harmonious effect.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann