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home·artworks·Autumn in the Northland
Autumn in the Northland by Franklin Carmichael

plate no. 5095

Autumn in the Northland

Franklin Carmichael

oilArt Nouveau (Modern)landscapetreeslandscapehillsskyautumnfigure
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve vibrant autumn hues and layering techniques to create depth in the landscape. Students will also learn to simplify complex forms into basic shapes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees, hills, and figure.

  2. step 02

    Block in the large areas of color, starting with the sky and distant hills.

  3. step 03

    Establish the light and shadow patterns on the ground plane.

  4. step 04

    Begin layering colors on the trees, using short, broken brushstrokes to suggest foliage.

  5. step 05

    Refine the shapes and colors of the trees, adding details and variations.

  6. step 06

    Add details to the figure, paying attention to the light and shadow.

  7. step 07

    Adjust the overall color harmony and contrast.

  8. step 08

    Add final details and highlights.

color palette

primary · yellow ochre · cadmium red · ultramarine blue · titanium white

secondary · burnt sienna · sap green · cadmium yellow light

Mix greens by combining blue and yellow, and oranges by combining red and yellow. Use white to lighten colors and create tints. Achieve muted tones by mixing complementary colors.

techniques

  • ·broken color
  • ·scumbling
  • ·layering
  • ·alla prima
  • ·color mixing

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a strong value structure.
  • →Ignoring the color temperature of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints (yellow ochre, cadmium red, ultramarine blue, titanium white, burnt sienna, sap green, cadmium yellow light)
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·linseed oil or painting medium
  • ·odorless mineral spirits
  • ·rags

optional

  • ·easel
  • ·medium gloss
  • ·retouch varnish

Use a medium-tooth canvas to allow for texture. Consider using a limited palette to simplify color mixing.

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