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home·artworks·Autumn in the Gran Teatro Cervantes of Tanger
Autumn in the Gran Teatro Cervantes of Tanger by Consuelo Hernández

plate no. 1289

Autumn in the Gran Teatro Cervantes of Tanger

Consuelo Hernández

oil, canvasMagic Realismcityscapebuildingcityscapefigurestairsskyarchitecture
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating a sense of depth through layering and color variations. It also provides practice in rendering architectural details and a human figure within a cityscape.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, focusing on the perspective of the building and the placement of the figure.

  2. step 02

    Establish the overall color scheme by applying a thin wash of warm yellow for the sky and a mix of browns and purples for the ground and building.

  3. step 03

    Block in the main areas of color for the building, figure, and surrounding elements, paying attention to the light and shadow.

  4. step 04

    Begin adding details to the building, such as windows, columns, and decorative elements, using a smaller brush.

  5. step 05

    Refine the figure, focusing on the folds of the clothing and the overall form.

  6. step 06

    Develop the texture of the ground and the surrounding buildings using dry brush techniques and subtle color variations.

  7. step 07

    Add highlights and shadows to create depth and dimension, paying attention to the direction of the light.

  8. step 08

    Make final adjustments to the colors and values to achieve a cohesive and harmonious composition.

color palette

primary · yellow ochre · burnt umber · raw sienna

secondary · ultramarine blue · cadmium red · titanium white

Achieve the muted tones by mixing complementary colors and using white to adjust the values. Create the warm, golden light by layering thin washes of yellow ochre and raw sienna.

techniques

  • ·atmospheric perspective
  • ·dry brush
  • ·layering
  • ·color mixing
  • ·rendering architectural details

common pitfalls

  • →Incorrect perspective of the building
  • →Overly saturated colors
  • →Lack of depth and dimension
  • →Poor rendering of the figure
  • →Ignoring the light source

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·rags
  • ·photo reference

Use a medium-grain canvas for optimal texture. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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