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home·artworks·Autumn in Orillia
Autumn in Orillia by Franklin Carmichael

plate no. 0879

Autumn in Orillia

Franklin Carmichael, 1924

oilArt Nouveau (Modern)landscapetreesforestautumnlandscapefoliagesky
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as understanding how to simplify complex scenes into manageable shapes and forms. It also provides practice in capturing the essence of a season through color and brushwork.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the trees and the horizon line.

  2. step 02

    Block in the background sky with a thin layer of teal.

  3. step 03

    Establish the main color masses for the trees, focusing on the overall shapes rather than individual leaves.

  4. step 04

    Begin layering different shades of orange, yellow, and red to create depth and variation in the foliage.

  5. step 05

    Add the bare branches using thin, gestural strokes of white and brown.

  6. step 06

    Introduce darker tones in the foreground to create contrast and ground the scene.

  7. step 07

    Refine the details of the foliage and branches, adding highlights and shadows.

  8. step 08

    Make final adjustments to the colors and values to achieve the desired effect.

color palette

primary · yellow ochre · burnt sienna · cadmium red · teal

secondary · raw umber · titanium white · sap green

Mix various shades of orange by combining yellow ochre, burnt sienna, and cadmium red. Use white to lighten colors and create highlights. Mix teal from blue and green with a touch of white.

techniques

  • ·broken color
  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the overall impression.
  • →Creating flat, uniform color areas without variation.
  • →Failing to establish a strong value structure.
  • →Making the branches too symmetrical or uniform.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits or turpentine (for cleaning brushes)

optional

  • ·painting medium
  • ·easel
  • ·rags

A medium-sized canvas (e.g., 16x20 inches) is recommended for this project. Use good quality paints for best results.

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