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home·artworks·Autumn Gold
Autumn Gold by John Atkinson Grimshaw

plate no. 0567

Autumn Gold

John Atkinson Grimshaw

oilRomanticismlandscapetreesbuildingpathfigureleavessky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex textures like brick and foliage. It also provides practice in creating a sense of depth and capturing a specific mood.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the basic composition, including the building, trees, path, and figure.

  2. step 02

    Block in the large areas of color, starting with the sky and ground, focusing on the overall tonal values.

  3. step 03

    Develop the building, paying attention to the brick texture and window details.

  4. step 04

    Add the trees, starting with the main trunks and branches, then adding smaller branches and twigs.

  5. step 05

    Paint the leaves on the ground, varying the colors and values to create a sense of depth and texture.

  6. step 06

    Refine the figure, adding details to the clothing and facial features.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Make final adjustments to the colors and values to achieve the desired atmospheric effect.

color palette

primary · yellow ochre · burnt umber · raw sienna

secondary · ultramarine blue · titanium white · cadmium red

Achieve the golden sky by mixing yellow ochre with a touch of burnt umber and white. Create the brick color by mixing burnt umber with cadmium red and a touch of blue. Use ultramarine blue and burnt umber to create the darks in the trees.

techniques

  • ·atmospheric perspective
  • ·dry brushing
  • ·layering
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong sense of atmospheric perspective.
  • →Using colors that are too saturated.
  • →Neglecting the importance of value contrast.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·turpentine or odorless mineral spirits
  • ·linseed oil
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grit canvas to allow for better paint adhesion and texture. Consider using a toned canvas to establish a base color.

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oil painting for beginners →how to learn by studying the masters →
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