plate no. 0937
Autumn
study guide
est. 12 hrsapproach — 8 steps
- step 01
Sketch the basic composition, focusing on the figure's pose and placement within the landscape.
- step 02
Establish the background foliage with loose, broken brushstrokes of greens, yellows, and reds.
- step 03
Block in the figure's form with light washes, paying attention to the planes of the face and body.
- step 04
Begin layering colors on the figure, using short, broken strokes to suggest form and light.
- step 05
Develop the details of the leaves and branches, using a variety of reds, oranges, and purples.
- step 06
Refine the facial features, focusing on capturing the soft, diffused light.
- step 07
Add highlights and shadows to create depth and dimension.
- step 08
Make final adjustments to the color and value to achieve a harmonious overall effect.
color palette
primary · titanium white · cadmium red · cadmium yellow · viridian green
secondary · ultramarine blue · alizarin crimson · yellow ochre
Mix greens by combining viridian green with cadmium yellow or yellow ochre. Achieve skin tones by mixing titanium white, cadmium red, and a touch of yellow ochre. Use ultramarine blue and alizarin crimson to create purples for shadows and foliage.
techniques
- ·broken color
- ·impressionistic brushwork
- ·scumbling
- ·color layering
- ·alla prima
common pitfalls
- →overworking the details
- →muddying the colors
- →losing the overall impression
- →neglecting the importance of light and shadow
materials
surface · stretched canvas
required
- ·stretched canvas
- ·oil paints
- ·assorted brushes (round and flat)
- ·palette
- ·linseed oil
- ·turpentine or odorless mineral spirits
- ·palette knife
optional
- ·painting medium (e.g., Liquin)
- ·varnish
- ·easel
Use a medium-textured canvas to allow for better paint adhesion and brushstroke visibility. Consider using a limited palette to simplify color mixing.
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