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home·artworks·Autumn
Autumn by Jose Malhoa

plate no. 7932

Autumn

Jose Malhoa, 1918

oil, woodImpressionismlandscapetreesleavesautumnlandscapebuildingfoliage
some experience helpful

Recreating this painting will help students develop skills in layering colors with visible brushstrokes and creating depth through atmospheric perspective. It also provides practice in capturing the texture and color variations of autumn foliage.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees and the distant building.

  2. step 02

    Establish the background sky and the distant building with thin washes of color.

  3. step 03

    Block in the main shapes of the trees and foliage with broad strokes, using a mix of browns, yellows, and oranges.

  4. step 04

    Start layering colors on the leaves, using short, broken brushstrokes to create texture and variation.

  5. step 05

    Add details to the tree trunks, paying attention to the light and shadow.

  6. step 06

    Paint the foreground leaves, using a variety of warm colors and textures.

  7. step 07

    Refine the details and adjust the values to create depth and atmosphere.

  8. step 08

    Add final highlights and shadows to enhance the overall effect.

color palette

primary · yellow ochre · burnt umber · ultramarine blue · titanium white

secondary · cadmium yellow · cadmium red · sap green

Mix various shades of brown by combining burnt umber with yellow ochre and a touch of blue. Achieve the golden hues of the leaves by mixing cadmium yellow with yellow ochre and a hint of red. Use white to lighten colors and create highlights.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·layering
  • ·alla prima

common pitfalls

  • →Overblending the colors, which can result in a muddy effect.
  • →Ignoring the importance of value contrast, which can flatten the image.
  • →Getting lost in the details and losing sight of the overall composition.
  • →Using too much paint, which can make the painting look heavy and overworked.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·rags

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·varnish

Use a medium-textured canvas to enhance the brushstrokes. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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