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home·artworks·Autumn
Autumn by Frits Thaulow

plate no. 1770

Autumn

Frits Thaulow

oil, canvasImpressionismlandscaperivertreesautumnlandscapereflectionfigures
some experience helpful

Recreating this painting will help students develop skills in depicting reflections in water and capturing the subtle color variations of autumn foliage. It also provides practice in creating depth and atmosphere through color and brushwork.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the river's perspective and the placement of trees.

  2. step 02

    Establish the sky and the overall color tone with a thin wash of diluted paint.

  3. step 03

    Block in the large shapes of the trees and foliage, using a range of warm browns, yellows, and greens.

  4. step 04

    Begin to define the reflections in the water, using horizontal brushstrokes and slightly desaturated colors.

  5. step 05

    Add details to the trees, such as branches and leaves, using smaller brushes and varied brushstrokes.

  6. step 06

    Introduce highlights and shadows to create depth and dimension in the foliage and reflections.

  7. step 07

    Paint the figures in the background with minimal detail.

  8. step 08

    Refine the overall composition and add final touches, such as small details in the foreground.

color palette

primary · yellow ochre · burnt umber · titanium white · Prussian blue

secondary · cadmium yellow · raw sienna · viridian

Mix various shades of brown and green by combining yellow ochre, burnt umber, and Prussian blue. Use titanium white to lighten colors and create highlights. Achieve the water reflections by desaturating the colors of the surrounding landscape and adding touches of blue and white.

techniques

  • ·wet-on-wet blending
  • ·broken color
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the overall impressionistic effect.
  • →Making the reflections too literal and not capturing the subtle distortions.
  • →Using colors that are too saturated and not creating a sense of atmosphere.
  • →Ignoring the importance of value contrast in creating depth.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (yellow ochre, burnt umber, titanium white, Prussian blue)
  • ·palette
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·painting apron

Use a medium-tooth canvas to allow for good paint adhesion and texture. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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