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home·artworks·Autumn
Autumn by Frederic Edwin Church

plate no. 6991

Autumn

Frederic Edwin Church, 1875

oil, canvasRomanticismlandscapetreeswaterlandscapeautumnfoliagesky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and color mixing to create depth and mood. It also provides practice in rendering realistic reflections in water.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the horizon line, trees, and water.

  2. step 02

    Establish the overall color scheme with a thin wash of burnt umber and yellow ochre.

  3. step 03

    Block in the sky with light yellows, pinks, and blues, blending softly to create a hazy effect.

  4. step 04

    Paint the distant trees and foliage using muted colors to create atmospheric perspective.

  5. step 05

    Add the darker trees and foliage in the foreground, using a variety of greens, browns, and reds.

  6. step 06

    Paint the water, reflecting the colors of the sky and surrounding trees.

  7. step 07

    Add details such as the waterfall, rocks, and foliage in the foreground.

  8. step 08

    Refine the details and add highlights to create a sense of depth and realism.

color palette

primary · yellow ochre · burnt umber · titanium white · ultramarine blue

secondary · cadmium red · sap green · raw sienna

Mix muted greens by combining yellow ochre, ultramarine blue, and a touch of burnt umber. Achieve atmospheric perspective by adding white to colors for distant elements.

techniques

  • ·atmospheric perspective
  • ·wet-on-wet blending
  • ·glazing
  • ·scumbling
  • ·broken color

common pitfalls

  • →Overworking the details in the distant areas, which should be kept soft and muted.
  • →Using colors that are too bright or saturated, which will flatten the image.
  • →Failing to create a sense of depth by not varying the colors and values.
  • →Not paying attention to the reflections in the water, which should be accurate and realistic.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·raw sienna oil paint
  • ·sap green oil paint

Use a medium-tooth canvas for best results. Consider using a pre-toned canvas with a thin wash of burnt umber to create a warm undertone.

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oil painting for beginners →how to learn by studying the masters →
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