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home·artworks·Autumn
Autumn by Arthur Streeton

plate no. 6357

Autumn

Arthur Streeton, 1889

oilImpressionismlandscapelandscapefiguretreesfieldskyfoliage
some experience helpful

Recreating this painting will help students develop skills in impressionistic brushwork and capturing atmospheric perspective. It also provides practice in depicting figures within a landscape setting.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to map out the main elements: the figure, trees, path, and horizon line.

  2. step 02

    Block in the sky with a thin wash of blue, allowing for variations in tone.

  3. step 03

    Establish the basic shapes and colors of the trees and foliage, focusing on warm yellows, greens, and browns.

  4. step 04

    Paint the figure with simple shapes, paying attention to the fall of light and shadow on the dress.

  5. step 05

    Develop the path and foreground with broken brushstrokes and varied earth tones.

  6. step 06

    Add details to the trees, such as branches and leaves, using a dry brush technique.

  7. step 07

    Refine the figure's features and clothing, adding subtle highlights and shadows.

  8. step 08

    Add final touches and highlights to the overall composition to create depth and interest.

color palette

primary · ultramarine blue · yellow ochre · burnt umber · titanium white

secondary · sap green · cadmium yellow · alizarin crimson

Mix various shades of green by combining yellow ochre, ultramarine blue, and a touch of burnt umber. Achieve the earth tones by blending burnt umber, yellow ochre, and white. Use alizarin crimson to warm up browns and create subtle reds.

techniques

  • ·broken brushstrokes
  • ·dry brush
  • ·atmospheric perspective
  • ·color mixing
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Creating muddy colors by overmixing.
  • →Ignoring the subtle variations in color and tone.
  • →Failing to establish a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x24 inches)
  • ·oil paints
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-tooth canvas to allow for good paint adhesion and texture. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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