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home·artworks·Autumn at Strålsjøen
Autumn at Strålsjøen by Harriet Backer

plate no. 9557

Autumn at Strålsjøen

Harriet Backer, 1894

oil, canvasImpressionismlandscapelandscapebuildingsmountainsskyfencevillage
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and color mixing to create depth and mood. It also provides practice in rendering textures using visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the mountains, buildings, and fence.

  2. step 02

    Establish the sky with light blues and pinks, blending softly.

  3. step 03

    Block in the mountain range with dark blues and greens, varying the tones to suggest depth.

  4. step 04

    Paint the buildings using browns and grays, adding highlights and shadows to define their forms.

  5. step 05

    Develop the foreground with greens and browns, using broken brushstrokes to create texture.

  6. step 06

    Add the fence, paying attention to its perspective and the way it recedes into the distance.

  7. step 07

    Refine the details, such as the foliage on the roofs and the reflections in the water.

  8. step 08

    Adjust the overall color harmony and value contrast to create a cohesive and atmospheric effect.

color palette

primary · Prussian Blue · Yellow Ochre · Titanium White · Burnt Umber

secondary · Cadmium Yellow · Alizarin Crimson · Viridian

Mix greens by combining Prussian Blue and Yellow Ochre. Create muted tones by mixing complementary colors. Use white to lighten values and create atmospheric haze.

techniques

  • ·Broken color
  • ·Atmospheric perspective
  • ·Scumbling
  • ·Dry brushing
  • ·Color layering

common pitfalls

  • →Overmixing colors, resulting in muddy tones
  • →Neglecting atmospheric perspective, making the painting look flat
  • →Ignoring the subtle color variations in the landscape
  • →Making the brushstrokes too uniform

materials

surface · Stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints
  • ·Palette
  • ·Assorted brushes (flat and round)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·Medium (e.g., Liquin)
  • ·Varnish
  • ·Easel

Use a limited palette to encourage color mixing. Consider using a toned canvas to establish a base color.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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