apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Autumn, Algoma
Autumn, Algoma by Frank Johnston

plate no. 4525

Autumn, Algoma

Frank Johnston

oilArt Nouveau (Modern)landscapetreeslakeforestautumnlandscapesky
some experience helpful

Recreating this painting will help students practice layering techniques to create depth and learn to simplify complex landscapes into basic shapes and values. It also provides an opportunity to explore color harmony and atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the landscape, focusing on the large masses of trees and the lake.

  2. step 02

    Establish the horizon line and the overall composition.

  3. step 03

    Block in the darkest values of the trees in the foreground.

  4. step 04

    Apply the base colors for the sky, distant hills, and foreground vegetation.

  5. step 05

    Begin layering colors to create depth and variation in the foliage.

  6. step 06

    Add highlights to the trees and vegetation to suggest light and form.

  7. step 07

    Refine the details of the lake and reflections.

  8. step 08

    Add final touches and adjust values as needed.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · sap green · cadmium yellow · raw sienna

Mix greens by blending ultramarine blue and cadmium yellow. Create muted tones by adding burnt umber to the primary colors. Use white to lighten values and create highlights.

techniques

  • ·layering
  • ·color mixing
  • ·atmospheric perspective
  • ·simplification of form
  • ·blocking in

common pitfalls

  • →Overworking the details
  • →Creating muddy colors
  • →Ignoring value contrast
  • →Failing to establish a clear focal point

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oils)

optional

  • ·medium gloss
  • ·easel
  • ·painting rags

Use a medium-sized canvas (e.g., 16x20 inches) for this project. Acrylics are easier to clean up, but oils offer more blending time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Kolo Moser

Kolo Moser

Koloman Moser

L'Atelier de Diebold Lauber

L'Atelier de Diebold Lauber

Léo Schnug

Family Gathering in Saint Idesbald

Family Gathering in Saint Idesbald

Georges Lemmen

The Kiss

The Kiss

Rose O'Neill

His grandmother had Told Him (from The Garden of Paradise)

His grandmother had Told Him (from The Garden of Paradise)

Edmund Dulac

Two girls

Two girls

Felice Casorati

Girl with a rose

Girl with a rose

Paul Mathiopoulos

The King

The King

Alexandre Benois