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home·artworks·Autumn Afternoon, Giverny
Autumn Afternoon, Giverny by Lilla Cabot Perry

plate no. 7371

Autumn Afternoon, Giverny

Lilla Cabot Perry

oilImpressionismlandscapelandscapetreesbuildingsfieldskyfoliage
some experience helpful

Recreating this painting will help students develop skills in color mixing for subtle variations and layering brushstrokes to create texture and depth. It's also a good exercise in capturing atmospheric perspective.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and placement of major elements.

  2. step 02

    Block in the sky with a thin wash of light blue and white.

  3. step 03

    Establish the distant hills with a muted blue-gray tone.

  4. step 04

    Begin layering in the trees, using a mix of greens, yellows, oranges, and browns. Vary the brushstrokes to create texture.

  5. step 05

    Add the buildings, paying attention to their placement and proportions.

  6. step 06

    Develop the foreground field with layers of greens, yellows, and browns, using short, broken brushstrokes.

  7. step 07

    Refine the details, adding highlights and shadows to create depth.

  8. step 08

    Adjust the overall color harmony and value relationships.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · cadmium yellow · cadmium red · viridian green

Mix greens by combining ultramarine blue and cadmium yellow. Create browns by blending burnt umber with yellow ochre and a touch of red. Mute colors by adding a small amount of complementary color.

techniques

  • ·broken color
  • ·layering
  • ·scumbling
  • ·atmospheric perspective
  • ·color mixing

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Using colors that are too saturated.
  • →Failing to create a sense of depth and distance.
  • →Not varying the brushstrokes enough.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 or similar)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a medium-tooth canvas to allow for good paint adhesion and texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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