apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Auguste Renoir
Auguste Renoir by Frederic Bazille

plate no. 2278

Auguste Renoir

Frederic Bazille, 1867

oil, canvasImpressionismportraitfigureportraitmanchairclothingindoors
some experience helpful

This painting is a good exercise in capturing a likeness with loose brushstrokes and limited color palette. Recreating it will help students understand how to suggest form and texture rather than rendering every detail.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure and chair using light pencil lines.

  2. step 02

    Block in the background with a thin layer of blue-gray paint, allowing some canvas to show through.

  3. step 03

    Establish the main value areas: darks for the jacket and chair, mid-tones for the pants and skin, and highlights on the face and hands.

  4. step 04

    Mix and apply the skin tones, focusing on capturing the subtle variations in color and value.

  5. step 05

    Paint the clothing, using thicker paint and more visible brushstrokes to create texture.

  6. step 06

    Add details to the face, such as the eyes, nose, and mouth, using small, precise brushstrokes.

  7. step 07

    Refine the edges of the figure and chair, softening them in some areas and sharpening them in others.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · ivory black · raw umber · titanium white

secondary · ultramarine blue · burnt sienna

Mix the skin tones using white, raw umber, and a touch of burnt sienna. Create the blue-gray background by mixing white, ultramarine blue, and a small amount of raw umber.

techniques

  • ·blocking in
  • ·alla prima
  • ·broken color
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Creating muddy colors by overmixing.
  • →Failing to capture the correct proportions of the figure.
  • →Ignoring the subtle variations in color and value.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-tooth canvas to allow for good paint adhesion. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann