
plate no. 2278
Frederic Bazille, 1867
This painting is a good exercise in capturing a likeness with loose brushstrokes and limited color palette. Recreating it will help students understand how to suggest form and texture rather than rendering every detail.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the figure and chair using light pencil lines.
Block in the background with a thin layer of blue-gray paint, allowing some canvas to show through.
Establish the main value areas: darks for the jacket and chair, mid-tones for the pants and skin, and highlights on the face and hands.
Mix and apply the skin tones, focusing on capturing the subtle variations in color and value.
Paint the clothing, using thicker paint and more visible brushstrokes to create texture.
Add details to the face, such as the eyes, nose, and mouth, using small, precise brushstrokes.
Refine the edges of the figure and chair, softening them in some areas and sharpening them in others.
Add final highlights and shadows to create depth and dimension.
color palette
primary · ivory black · raw umber · titanium white
secondary · ultramarine blue · burnt sienna
Mix the skin tones using white, raw umber, and a touch of burnt sienna. Create the blue-gray background by mixing white, ultramarine blue, and a small amount of raw umber.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-tooth canvas to allow for good paint adhesion. Consider using a limited palette to simplify the color mixing process.
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