apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Atlantic Storm
Atlantic Storm by John Singer Sargent

plate no. 6565

Atlantic Storm

John Singer Sargent, 1876

oil, canvasImpressionismmarinaoceanwavesboatfiguresskystorm
experienced study

Recreating this painting will help students develop skills in depicting dynamic water movement and capturing atmospheric perspective. It also provides practice in using loose brushwork to suggest form and texture.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the boat and figures.

  2. step 02

    Block in the large areas of color for the sky, water, and boat using thin washes.

  3. step 03

    Establish the dark values of the waves, paying attention to the direction of the brushstrokes to suggest movement.

  4. step 04

    Add highlights to the waves with white and light blue, using broken brushstrokes to create texture.

  5. step 05

    Define the shapes of the boat and figures with darker values and subtle details.

  6. step 06

    Refine the sky with soft, blended colors to create a sense of depth and atmosphere.

  7. step 07

    Add final details such as splashes of water and highlights on the boat.

  8. step 08

    Glaze with thin layers of color to unify the painting and adjust values.

color palette

primary · ultramarine blue · titanium white · burnt umber

secondary · yellow ochre · raw sienna · ivory black

Mix various shades of blue and white for the sky and water. Use burnt umber and black for the dark areas of the waves. Add yellow ochre and raw sienna to create warm tones for the boat and figures.

techniques

  • ·broken color
  • ·wet-on-wet blending
  • ·scumbling
  • ·dry brushing
  • ·glazing

common pitfalls

  • →Overworking the details and losing the sense of spontaneity.
  • →Creating flat, lifeless waves by not varying the brushstrokes.
  • →Failing to establish a strong value contrast, resulting in a muddy painting.
  • →Incorrectly judging proportions of the boat and figures.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann