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home·artworks·At the Well
At the Well by Henry Herbert La Thangue

plate no. 9046

At the Well

Henry Herbert La Thangue

oilImpressionismgenre paintingfiguretreeslandscapewellfoliagerural
some experience helpful

This painting allows students to practice capturing dappled light and shadow, as well as rendering organic shapes like trees and foliage with loose brushstrokes. Students can also learn to create depth through atmospheric perspective and color temperature changes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the well, figure, and trees.

  2. step 02

    Establish the main light and shadow areas with a thin wash of neutral color.

  3. step 03

    Block in the large shapes of the trees and foliage using a mix of greens, browns, and yellows.

  4. step 04

    Start defining the form of the well with highlights and shadows, paying attention to the texture.

  5. step 05

    Add details to the figure, focusing on the light and shadow on the clothing and face.

  6. step 06

    Paint the background landscape, using lighter values and cooler colors to create depth.

  7. step 07

    Add the oranges to the trees, using small, bright strokes of orange and yellow.

  8. step 08

    Refine the details and adjust the values to create a sense of harmony and balance.

color palette

primary · yellow ochre · burnt umber · sap green · titanium white

secondary · cadmium orange · ultramarine blue · raw sienna

Mix greens by blending yellow ochre and ultramarine blue with varying amounts of white. Use burnt umber and yellow ochre to create warm browns for the tree trunks and well. Add small amounts of cadmium orange for the oranges on the trees.

techniques

  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·atmospheric perspective
  • ·chiaroscuro

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Making the colors too saturated and unnatural.
  • →Failing to create a sense of depth and atmosphere.
  • →Ignoring the subtle variations in light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·color wheel

Use a medium-textured canvas to allow for visible brushstrokes. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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