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home·artworks·At The Well
At The Well by Adolphe Joseph Thomas Monticelli

plate no. 9659

At The Well

Adolphe Joseph Thomas Monticelli

oil, panelRomanticismgenre paintingfigureswelllandscapetreeswater carriers
experienced study

Recreating this painting will help students develop skills in loose, expressive brushwork and creating form with color rather than precise lines. It also provides practice in suggesting details rather than rendering them realistically.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Prepare a toned canvas with a warm underpainting (burnt umber or similar).

  2. step 02

    Lightly sketch the basic composition, focusing on the placement of the figures and the well.

  3. step 03

    Block in the main areas of color: the ground, the figures' clothing, and the background foliage.

  4. step 04

    Start building up texture with short, broken brushstrokes, using a variety of colors to suggest form and light.

  5. step 05

    Pay attention to the highlights on the figures' clothing and the ground, using thicker paint.

  6. step 06

    Add darker values to create shadows and depth, especially in the background and around the figures' feet.

  7. step 07

    Refine the details of the figures, but avoid overworking them. Keep the brushwork loose and expressive.

  8. step 08

    Add final touches of color and texture to unify the painting.

color palette

primary · yellow ochre · burnt umber · titanium white

secondary · cadmium red · ultramarine blue · raw sienna

Mix various shades of brown and ochre by combining burnt umber, yellow ochre, and white. Use small amounts of red and blue to create subtle variations in the shadows and highlights.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·alla prima
  • ·dry brushing

common pitfalls

  • →Over-blending the colors, resulting in a muddy appearance.
  • →Defining the figures too sharply, losing the overall impressionistic effect.
  • →Ignoring the importance of value contrast in creating depth.
  • →Being too literal with details; embrace suggestion over exact representation.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (yellow ochre, burnt umber, titanium white, cadmium red, ultramarine blue, raw sienna)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·painting medium (e.g., Liquin)
  • ·varnish

A slightly textured canvas will enhance the broken color effect. Consider using a limited palette to simplify the color mixing process.

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