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home·artworks·At the Well, Anacapri
At the Well, Anacapri by James Charles

plate no. 6824

At the Well, Anacapri

James Charles

oilImpressionismgenre paintingfigurewellbuildingwallcourtyardchickens
some experience helpful

Recreating this painting will help students develop skills in layering paint to create texture and capturing the effect of light on weathered surfaces. It also provides practice in painting figures in a naturalistic setting.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, well, and architectural elements.

  2. step 02

    Establish the overall color scheme with a thin wash of warm earth tones.

  3. step 03

    Block in the main shapes of the figure, well, and background, paying attention to their relative values.

  4. step 04

    Begin layering paint to build up texture and create the impression of weathered surfaces on the walls and well.

  5. step 05

    Refine the details of the figure, including the clothing and facial features.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Paint the chickens and other small details in the foreground.

  8. step 08

    Add final touches and glazes to unify the painting and enhance the overall effect.

color palette

primary · raw umber · burnt sienna · titanium white

secondary · ultramarine blue · yellow ochre · sap green

Achieve the muted tones by mixing earth colors with white and small amounts of blue or green. Use glazes of thinned paint to create subtle color variations.

techniques

  • ·dry brush texture
  • ·scumbling
  • ·glazing
  • ·broken color
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Creating overly saturated colors.
  • →Ignoring the subtle shifts in value and color that create depth.
  • →Not establishing a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·round brushes sizes 2, 4, 6
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-tooth canvas to allow for texture. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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