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home·artworks·At the Tea-Table
At the Tea-Table by Konstantín Korovin

plate no. 7271

At the Tea-Table

Konstantín Korovin, 1888

oil, canvasImpressionismgenre paintingfigurestabletea setoutdoortreesporch
some experience helpful

Recreating this painting will help students develop skills in capturing light and shadow on figures and objects, as well as creating a sense of depth and atmosphere using loose brushstrokes and color variations. Students will also learn to simplify complex scenes into manageable shapes and values.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and composition, focusing on the placement of figures and the table.

  2. step 02

    Block in the background with broad strokes, capturing the overall color and value of the trees and foliage.

  3. step 03

    Establish the basic colors and values of the tablecloth, using a mix of white and subtle grays.

  4. step 04

    Begin to define the figures, paying attention to the light and shadow on their faces and clothing.

  5. step 05

    Add details to the tea set and other objects on the table, focusing on their shapes and colors.

  6. step 06

    Refine the background and foreground, adding more detail and texture as needed.

  7. step 07

    Add final highlights and shadows to create depth and dimension.

  8. step 08

    Step back and assess the overall composition, making any necessary adjustments.

color palette

primary · titanium white · yellow ochre · ultramarine blue

secondary · burnt umber · cadmium red light · viridian

Mix white with small amounts of yellow ochre and burnt umber for the tablecloth. Achieve the green foliage by mixing ultramarine blue, yellow ochre, and a touch of burnt umber. Use cadmium red light and burnt umber for the reddish tones in the foreground.

techniques

  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·atmospheric perspective
  • ·implied detail

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Failing to capture the subtle color variations in the light and shadow.
  • →Making the figures too stiff and posed.
  • →Not establishing a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·mineral spirits
  • ·rags

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·varnish

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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