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At The Studio by Georgios Jakobides

plate no. 9150

At The Studio

Georgios Jakobides, 1884

oilImpressionismgenre paintingfigureschildrentableinteriorartworkpainting
experienced study

Recreating this painting will help students develop skills in capturing figures in dynamic poses and using broken color to suggest form and light. It also provides practice in creating a sense of depth and atmosphere through layering and subtle value changes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and table, focusing on proportions and placement.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the main color areas for each figure and the background, using broad brushstrokes.

  4. step 04

    Begin layering colors, paying attention to how light and shadow define the forms.

  5. step 05

    Refine the details of the faces and clothing, using smaller brushes and more precise strokes.

  6. step 06

    Add highlights and shadows to create a sense of depth and dimension.

  7. step 07

    Soften edges and blend colors where necessary to create a harmonious effect.

  8. step 08

    Add final details and adjust values as needed to complete the painting.

color palette

primary · burnt umber · yellow ochre · ultramarine blue · titanium white

secondary · raw sienna · cadmium yellow · alizarin crimson

Achieve the muted tones by mixing earth tones with small amounts of blue and white. Use glazes of transparent colors to create depth and luminosity.

techniques

  • ·broken color
  • ·scumbling
  • ·glazing
  • ·dry brushing
  • ·alla prima

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Failing to establish a strong value structure early on.
  • →Getting bogged down in details before establishing the overall form.
  • →Not paying attention to the relationships between colors and values.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·assorted brushes (round and flat)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a medium-textured canvas to allow for expressive brushstrokes. Consider using a toned canvas to establish a base value.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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