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home·artworks·At the Seashore
At the Seashore by Edward Henry Potthast

plate no. 6017

At the Seashore

Edward Henry Potthast

oilImpressionismgenre paintingbeachchildrenfigureswaterskysand
some experience helpful

Recreating this painting will help students develop skills in capturing light and shadow with broken color and creating a sense of movement with visible brushstrokes. It also encourages simplification of forms and capturing the essence of a scene rather than precise details.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the horizon line.

  2. step 02

    Block in the large areas of color, such as the sky, water, and sand, using thin washes.

  3. step 03

    Establish the darkest and lightest values to create a sense of depth and form.

  4. step 04

    Begin adding details to the figures, using short, broken brushstrokes to suggest form and texture.

  5. step 05

    Develop the water and sand with horizontal strokes, varying the color and value to create a sense of movement.

  6. step 06

    Add highlights and shadows to the figures and the surrounding environment to enhance the sense of light.

  7. step 07

    Refine the details and adjust the colors as needed to create a cohesive and harmonious composition.

  8. step 08

    Add final touches and details.

color palette

primary · titanium white · ultramarine blue · cadmium yellow light · alizarin crimson

secondary · yellow ochre · burnt sienna · viridian

Mix white with small amounts of blue and crimson for the sky and water. Use yellow ochre and burnt sienna for the sand, adjusting the color with white and blue. Mix crimson and white for the pink dress.

techniques

  • ·broken color
  • ·wet-on-wet blending
  • ·dry brush texture
  • ·scumbling
  • ·impasto

common pitfalls

  • →Overworking the details and losing the freshness of the impressionistic style.
  • →Creating muddy colors by overmixing.
  • →Failing to capture the sense of light and atmosphere.
  • →Not simplifying the forms and details enough.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·cadmium yellow light oil paint
  • ·alizarin crimson oil paint
  • ·round brushes (#2, #6)
  • ·flat brushes (#4, #8)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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