
plate no. 4313
Laszlo Mednyanszky, 1895
Recreating this painting will help students develop skills in atmospheric perspective and layering to create depth. Students will also learn to capture the effect of light on different surfaces.
technical profile
approach — 8 steps
Sketch the basic shapes of the mountains and the horizon line.
Apply a thin wash of burnt umber or raw sienna to tone the canvas.
Block in the dark areas of the mountains with a mix of burnt umber and black.
Add the mid-tones using a mix of ochre, sienna, and white.
Highlight the peaks with lighter tones of yellow and white.
Paint the sky with soft, blended strokes of yellow ochre and white.
Reflect the sky and mountains in the water using horizontal strokes.
Add final details and adjust values as needed.
color palette
primary · yellow ochre · burnt umber · titanium white
secondary · black · raw sienna · ultramarine blue
Mix yellow ochre and white for the highlights on the mountains. Combine burnt umber and black for the shadows. Use ultramarine blue to slightly cool the water reflections.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Oil paints will provide richer colors and blending capabilities, but acrylics are faster drying and easier to clean up.
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