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home·artworks·At the Bell Inn, Cadnam, New Forest
At the Bell Inn, Cadnam, New Forest by William Shayer

plate no. 8499

At the Bell Inn, Cadnam, New Forest

William Shayer

oil, canvasRomanticismgenre paintingbuildingfigurestreeshorseslandscapetavern
experienced study

Recreating this painting will help students develop skills in rendering complex textures and atmospheric perspective. It also provides practice in painting figures in a naturalistic setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 7 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions.

  2. step 02

    Block in the main shapes and colors of the background, focusing on the overall value structure.

  3. step 03

    Start defining the building and trees, paying attention to the light and shadow patterns.

  4. step 04

    Begin adding details to the figures, horses, and other elements in the foreground.

  5. step 05

    Refine the textures and details, such as the thatched roof, foliage, and clothing.

  6. step 06

    Adjust the values and colors to create depth and atmosphere.

  7. step 07

    Add final highlights and details to bring the painting to life.

color palette

primary · burnt umber · yellow ochre · titanium white · Prussian blue

secondary · cadmium yellow · raw sienna · ivory black

Achieve the greens by mixing Prussian blue and yellow ochre, and the browns by mixing burnt umber and raw sienna. Use white to lighten values and create highlights.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or unrealistic.
  • →Ignoring the principles of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (burnt umber, yellow ochre, titanium white, Prussian blue, cadmium yellow, raw sienna, ivory black)
  • ·turpentine or odorless mineral spirits
  • ·linseed oil
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a medium-tooth canvas for better texture. Consider using a toned ground to help establish the overall color harmony.

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oil painting for beginners →how to learn by studying the masters →
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