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home·artworks·At Quimperle
At Quimperle by Frits Thaulow

plate no. 2608

At Quimperle

Frits Thaulow, 1901

oil, canvasImpressionismlandscaperivertreesfoliagereflectionlandscapewater
some experience helpful

This painting offers practice in capturing reflections in water and creating depth through atmospheric perspective. Students will learn to mix subtle color variations to represent light and shadow.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the river, trees, and horizon line.

  2. step 02

    Establish the overall color scheme with a thin wash of diluted paint.

  3. step 03

    Block in the main shapes of the trees and foliage, paying attention to their values.

  4. step 04

    Begin layering colors in the water to create the illusion of depth and reflection.

  5. step 05

    Add details to the trees and foliage, using smaller brushes to create texture.

  6. step 06

    Refine the reflections in the water, adding highlights and shadows to mimic the surrounding environment.

  7. step 07

    Adjust the overall values and colors to create a sense of harmony and balance.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · cadmium yellow · alizarin crimson · sap green

Mix greens by combining yellow ochre, ultramarine blue, and a touch of cadmium yellow. Achieve the water's depth by layering blues, purples, and browns. Use white to create highlights and lighten colors.

techniques

  • ·wet-on-wet blending
  • ·broken color
  • ·scumbling
  • ·layering
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details in the water, resulting in a flat and unrealistic appearance.
  • →Failing to create a sense of depth in the landscape.
  • →Using colors that are too saturated, resulting in a garish and unnatural look.
  • →Ignoring the importance of value contrast in creating form and depth.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (yellow ochre, ultramarine blue, burnt umber, titanium white, cadmium yellow, alizarin crimson, sap green)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·painting medium (e.g. Liquin)
  • ·varnish
  • ·easel

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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