apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·At Philæ
At Philæ by Elizabeth Thompson

plate no. 1670

At Philæ

Elizabeth Thompson

oilRomanticismcityscapearchitecturelandscapeskymountainswaterruins
some experience helpful

Recreating this painting will help students practice atmospheric perspective and color mixing to create depth. It also offers practice in rendering stone textures and architectural details.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the doorway and the landscape beyond.

  2. step 02

    Establish the sky and distant mountains with diluted washes.

  3. step 03

    Block in the main shapes of the buildings and foreground with light washes of color.

  4. step 04

    Layer in darker tones to define the shadows and architectural details.

  5. step 05

    Add details to the stone doorway, including the carvings and textures.

  6. step 06

    Refine the colors and values in the landscape, paying attention to atmospheric perspective.

  7. step 07

    Add final details and highlights to create depth and realism.

  8. step 08

    Review and adjust as needed.

color palette

primary · ultramarine blue · burnt sienna · yellow ochre

secondary · raw umber · titanium white

Mix ultramarine with burnt sienna for the grey stone. Use yellow ochre and burnt sienna for the warm tones of the landscape. Dilute colors with water for the sky and distant elements.

techniques

  • ·layering washes
  • ·dry brushing
  • ·atmospheric perspective
  • ·color mixing
  • ·rendering stone texture

common pitfalls

  • →overworking the details
  • →using colors that are too saturated
  • →not creating enough depth in the landscape
  • →making the doorway too uniform

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·round brushes (various sizes)
  • ·palette
  • ·water container
  • ·pencil
  • ·eraser

optional

  • ·masking fluid
  • ·palette knife
  • ·ruler

Use good quality watercolor paper to allow for layering and blending. Experiment with different brush sizes to achieve various textures and details.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke