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At lunchtime by Felix Schlesinger

plate no. 5231

At lunchtime

Felix Schlesinger, 1860

oil, canvasRomanticismgenre paintingfiguresinteriortablefoodstovefamily
some experience helpful

Recreating this painting will help students develop skills in rendering realistic figures in an interior setting and understanding how to create depth using subtle value and color shifts.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of figures and key objects.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber.

  3. step 03

    Block in the main colors of the background, furniture, and figures.

  4. step 04

    Refine the skin tones, paying attention to subtle color variations in light and shadow.

  5. step 05

    Develop the details of the clothing, hair, and facial features.

  6. step 06

    Add highlights and shadows to create form and depth.

  7. step 07

    Paint the details of the stove and other objects in the room.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · cadmium red · yellow ochre · viridian

Achieve the warm, muted tones by mixing earth pigments with white and small amounts of red and yellow. Use viridian sparingly to create the green of the stove.

techniques

  • ·Underpainting
  • ·Glazing
  • ·Scumbling
  • ·Chiaroscuro
  • ·Portraiture

common pitfalls

  • →Overworking the details too early.
  • →Failing to establish a strong value structure.
  • →Using colors that are too bright or saturated.
  • →Ignoring the subtle color variations in skin tones.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints: burnt umber, raw sienna, titanium white, ivory black, cadmium red, yellow ochre, viridian
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the underpainting process.

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