apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Aspen and Spruce
Aspen and Spruce by Maria Yakunchikova

plate no. 4413

Aspen and Spruce

Maria Yakunchikova, 1896

oilArt Nouveau (Modern)landscapetreesleavesskyforestfoliage
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and using visible brushstrokes to define shapes and textures. It also encourages careful observation of natural forms and color variations within a limited palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the trees and branches, focusing on the overall composition.

  2. step 02

    Block in the background sky with light blue and white.

  3. step 03

    Apply a base layer of dark brown/green for the tree trunks and branches.

  4. step 04

    Begin layering the leaves, starting with the darker greens and browns, then adding lighter yellows and oranges.

  5. step 05

    Use short, directional brushstrokes to create the texture of the foliage.

  6. step 06

    Outline the shapes with a darker color to define the edges and create a sense of depth.

  7. step 07

    Add highlights to the leaves and branches to create dimension.

  8. step 08

    Refine the details and adjust the colors as needed.

color palette

primary · dark green · yellow ochre · burnt umber

secondary · cadmium yellow · cadmium red · ultramarine blue

Mix greens by combining yellow ochre and ultramarine blue. Achieve varied browns by mixing burnt umber with small amounts of yellow, red, or blue.

techniques

  • ·impasto
  • ·dry brushing
  • ·layering
  • ·scumbling
  • ·outlining

common pitfalls

  • →Overblending the colors, resulting in a muddy appearance.
  • →Losing the structure of the branches beneath the foliage.
  • →Making the outlines too heavy and unnatural.
  • →Not varying the colors enough, leading to a flat, monotonous look.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·#4 round brush
  • ·#6 flat brush
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium

optional

  • ·easel
  • ·painting gloves
  • ·rags

Use a medium that allows for layering and visible brushstrokes. A slightly textured canvas can enhance the effect.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Kolo Moser

Kolo Moser

Koloman Moser

L'Atelier de Diebold Lauber

L'Atelier de Diebold Lauber

Léo Schnug

Family Gathering in Saint Idesbald

Family Gathering in Saint Idesbald

Georges Lemmen

The Kiss

The Kiss

Rose O'Neill

His grandmother had Told Him (from The Garden of Paradise)

His grandmother had Told Him (from The Garden of Paradise)

Edmund Dulac

Two girls

Two girls

Felice Casorati

Girl with a rose

Girl with a rose

Paul Mathiopoulos

The King

The King

Alexandre Benois