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home·artworks·Ascher Metzel
Ascher Metzel by Johann Baptist Clarot

plate no. 5287

Ascher Metzel

Johann Baptist Clarot, 1833

lithographyRomanticismportraitportraitfiguremanclothingmedalsframe
some experience helpful

Recreating this portrait will help students develop skills in portraiture, including accurate proportions, shading, and capturing likeness. It also provides practice in rendering details like clothing and medals.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and clothing.

  2. step 02

    Establish the main light source and map out the areas of light and shadow on the face and clothing.

  3. step 03

    Begin layering in the mid-tones using a limited palette of grays, browns, and blues.

  4. step 04

    Gradually build up the darker values, paying attention to the contours of the face and the folds in the clothing.

  5. step 05

    Add highlights to the face, hair, and medals to create a sense of depth and dimension.

  6. step 06

    Refine the details of the facial features, such as the eyes, nose, and mouth.

  7. step 07

    Carefully render the details of the medals and ribbons, using small brushes and precise strokes.

  8. step 08

    Add a soft background wash to create a sense of atmosphere and separation between the figure and the background.

color palette

primary · ivory black · raw umber · titanium white

secondary · gold ochre · cadmium red light · ultramarine blue

Mix various shades of gray by combining ivory black and titanium white. Use raw umber to add warmth to the shadows. Mix gold ochre with a touch of red for the medals.

techniques

  • ·portrait drawing
  • ·value studies
  • ·blending
  • ·layering
  • ·rendering details

common pitfalls

  • →Incorrect proportions can ruin the likeness, so take your time with the initial sketch.
  • →Overworking the details too early can lead to a stiff and unnatural look.
  • →Failing to establish a clear light source will result in a flat and lifeless painting.
  • →Using too much color can detract from the subtle tonal variations in the portrait.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·gold ochre oil paint
  • ·round brushes (sizes 0, 2, 4)
  • ·flat brushes (sizes 6, 8)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use high-quality oil paints for best results. A smooth canvas is recommended for this style of painting.

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