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home·artworks·Arthur Wellesley
Arthur Wellesley by John Simpson

plate no. 6361

Arthur Wellesley

John Simpson, 1835

oilRomanticismportraitportraitfiguremanclothinghistorical
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering subtle tonal variations in skin tones. It also provides practice in creating a sense of depth and atmosphere through the use of soft edges and limited color palette.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
5

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the oval shape of the portrait and the basic proportions of the figure.

  2. step 02

    Block in the main areas of color: the background, the face, the clothing.

  3. step 03

    Focus on establishing the correct values (light and dark) in the face, paying close attention to the shadows and highlights.

  4. step 04

    Begin refining the features of the face, such as the eyes, nose, and mouth, using small, controlled brushstrokes.

  5. step 05

    Develop the details of the clothing, including the collar and coat, using a combination of soft and hard edges.

  6. step 06

    Blend the edges of the forms to create a sense of atmosphere and depth.

  7. step 07

    Add final highlights and details to the face and clothing.

  8. step 08

    Evaluate and adjust the overall composition and color balance.

color palette

primary · ivory black · titanium white · raw umber · burnt umber

secondary · cadmium red light · ultramarine blue

Skin tones are achieved by mixing white, raw umber, burnt umber, and a touch of red. The background is primarily a mix of ivory black and raw umber, with subtle variations in tone.

techniques

  • ·portraiture
  • ·tonal painting
  • ·blending
  • ·glazing
  • ·scumbling

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details and losing the overall sense of form.
  • →Using too much color and creating a garish effect.
  • →Failing to blend the edges of the forms properly.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·burnt umber oil paint
  • ·cadmium red light oil paint
  • ·ultramarine blue oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a canvas with a smooth surface for best results. Consider using a medium to thin the paint and improve blending.

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