apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Arthur Wellesley, 1st Duke of Wellington
Arthur Wellesley, 1st Duke of Wellington by Thomas Lawrence

plate no. 7235

Arthur Wellesley, 1st Duke of Wellington

Thomas Lawrence, 1816

oilRomanticismportraitportraitfiguremilitary uniformmedalropehistorical
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing likeness, as well as blending techniques for smooth skin tones and rendering fabric folds.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the figure, focusing on accurate proportions and placement on the canvas.

  2. step 02

    Block in the main shapes and colors of the background, uniform, and skin tones with thin washes.

  3. step 03

    Develop the skin tones by layering and blending different shades of pink, red, and yellow.

  4. step 04

    Paint the uniform, paying attention to the folds and highlights to create a sense of volume.

  5. step 05

    Add details to the face, including the eyes, nose, and mouth, to capture the likeness of the subject.

  6. step 06

    Render the details of the uniform, including the gold embroidery, medals, and rope.

  7. step 07

    Refine the background and adjust the values to create depth and atmosphere.

  8. step 08

    Add final highlights and shadows to enhance the overall realism of the painting.

color palette

primary · cadmium red · ivory black · titanium white

secondary · yellow ochre · ultramarine blue · burnt umber

Mix various shades of red and brown with white to create the skin tones. Use ultramarine blue and burnt umber to create a neutral background. Mix yellow ochre and burnt umber for the gold details.

techniques

  • ·portraiture
  • ·blending
  • ·layering
  • ·glazing
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the subtle variations in color and value.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-sized canvas (16x20 or 18x24) is recommended.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke