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home·artworks·Arthur Wellesley, 1st Duke of Wellington
Arthur Wellesley, 1st Duke of Wellington by John Hoppner

plate no. 5906

Arthur Wellesley, 1st Duke of Wellington

John Hoppner

oilRomanticismportraitportraitfiguremilitary uniformred coatgold detailsdark background
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as understanding how to depict textures in clothing and metallic details.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition and proportions of the figure.

  2. step 02

    Establish the background with a dark, muted tone.

  3. step 03

    Block in the main areas of color for the face, hair, and uniform.

  4. step 04

    Refine the skin tones with subtle variations in color and value.

  5. step 05

    Add details to the uniform, including the buttons, trim, and epaulettes.

  6. step 06

    Create highlights and shadows to define the form of the figure.

  7. step 07

    Pay attention to the details of the face, such as the eyes, nose, and mouth.

  8. step 08

    Add final touches and adjustments to create a cohesive and realistic portrait.

color palette

primary · cadmium red · ivory black · titanium white · yellow ochre

secondary · burnt umber · raw sienna · gold

Mix skin tones by blending white, yellow ochre, and a touch of red; darken with burnt umber. Achieve the red coat color by mixing cadmium red with a touch of black and umber for shadows. Use gold paint or mix yellow ochre and burnt sienna for the metallic details.

techniques

  • ·portrait painting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·rendering metallic details

common pitfalls

  • →Overworking the skin tones and losing the subtle variations in color.
  • →Failing to capture the likeness of the subject.
  • →Making the red coat too bright and flat.
  • →Ignoring the importance of highlights and shadows in defining form.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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oil painting for beginners →how to learn by studying the masters →
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