apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Artek. September morning in Artek
Artek. September morning in Artek by Ilya Mashkov

plate no. 3028

Artek. September morning in Artek

Ilya Mashkov, 1929

oilImpressionismlandscapetreesfiguresroadseaskylandscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the effects of light and shadow on a landscape. It also offers practice in painting figures within a landscape setting.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees, road, and figures.

  2. step 02

    Block in the large areas of color for the sky, sea, and road using thin washes.

  3. step 03

    Establish the basic values for the trees and foliage, paying attention to the light and shadow.

  4. step 04

    Add details to the trees, including branches and leaves, using varied brushstrokes.

  5. step 05

    Paint the figures, focusing on their basic shapes and proportions.

  6. step 06

    Refine the details of the road and the shadows cast by the trees.

  7. step 07

    Add highlights to the foliage and figures to create a sense of depth and dimension.

  8. step 08

    Make final adjustments to the colors and values to achieve a harmonious overall effect.

color palette

primary · sap green · raw umber · titanium white

secondary · yellow ochre · cadmium red light · ultramarine blue

Mix greens by combining sap green with yellow ochre or ultramarine blue. Use raw umber and white to create the various shades of brown for the road and tree trunks. Add small amounts of cadmium red to the browns for warmth.

techniques

  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima
  • ·color mixing

common pitfalls

  • →Overworking the details, which can flatten the image.
  • →Failing to create a sense of depth through atmospheric perspective.
  • →Using colors that are too saturated, which can make the painting look unnatural.
  • →Ignoring the effects of light and shadow, which can make the painting look flat.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 6, 10)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium
  • ·odorless mineral spirits or water

optional

  • ·easel
  • ·painting medium
  • ·varnish

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann