apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Art and Artists of Our Time
Art and Artists of Our Time by William Holbrook Beard

plate no. 5197

Art and Artists of Our Time

William Holbrook Beard, 1888

oilRomanticismanimal paintingforestbearsmantreesfoliageanimals
experienced study

Recreating this painting will develop skills in cross-hatching and rendering textures using a limited palette. It also provides practice in depicting complex scenes with multiple figures and varied lighting.

technical profile

palette complexity
2
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 7 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures.

  2. step 02

    Block in the darkest areas of the painting, focusing on the shadows within the forest and on the figures.

  3. step 03

    Gradually build up the mid-tones using cross-hatching to create depth and texture.

  4. step 04

    Add highlights to define the forms of the figures and foliage, paying attention to the direction of light.

  5. step 05

    Refine the details of the faces and fur, using fine lines to create texture and expression.

  6. step 06

    Work on the background elements, such as trees and foliage, to create a sense of depth and atmosphere.

  7. step 07

    Add final touches and adjust the values to create a cohesive and dynamic composition.

color palette

primary · black · white · sepia

secondary · gray

Vary the intensity of the blacks and whites by mixing them with sepia to create subtle tonal variations.

techniques

  • ·cross-hatching
  • ·scumbling
  • ·dry brushing
  • ·value shading
  • ·linear perspective

common pitfalls

  • →Overworking the details and losing the overall sense of depth.
  • →Creating flat, lifeless areas by not varying the values.
  • →Ignoring the direction of light and creating inconsistent shadows.
  • →Failing to establish a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·black oil paint
  • ·white oil paint
  • ·sepia oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette
  • ·palette knife

optional

  • ·medium gloss
  • ·turpentine

Use high-quality oil paints to achieve rich, lasting colors. A smooth canvas surface will allow for finer detail.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke