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home·artworks·Arrangement in Pink and Gray (Afternoon Tea)
Arrangement in Pink and Gray (Afternoon Tea) by Edmund Charles Tarbell

plate no. 7206

Arrangement in Pink and Gray (Afternoon Tea)

Edmund Charles Tarbell, 1894

oil, canvasImpressionismportraitfigureportraitdressinteriortableteacup
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly capturing delicate skin tones and rendering fabric with subtle variations in light and shadow. It also provides practice in creating depth and atmosphere through soft edges and muted colors.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the figure, the sofa, the table, and the background.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar neutral tone.

  3. step 03

    Block in the main color areas: the pinks of the dress, the blues of the cushion, the browns of the table, and the background.

  4. step 04

    Begin refining the figure's features, paying close attention to the subtle shifts in skin tone.

  5. step 05

    Develop the folds and drapery of the dress, using lighter values to indicate highlights and darker values for shadows.

  6. step 06

    Add details to the table setting, such as the teacup and saucer, using small brushes.

  7. step 07

    Soften edges and blend colors to create a sense of atmosphere and unity.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · titanium white · alizarin crimson · raw umber

secondary · ultramarine blue · yellow ochre

Achieve the delicate pinks by mixing alizarin crimson with titanium white and a touch of raw umber to mute the color. Use ultramarine blue and white for the cushions. Mix raw umber with small amounts of crimson and blue for the darker tones of the table and background.

techniques

  • ·scumbling
  • ·glazing
  • ·soft blending
  • ·broken color
  • ·portraiture

common pitfalls

  • →Overworking the details and losing the overall softness.
  • →Using colors that are too bright or saturated.
  • →Failing to capture the subtle shifts in value.
  • →Ignoring the importance of soft edges and atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·titanium white oil paint
  • ·alizarin crimson oil paint
  • ·raw umber oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·linseed oil
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·odorless mineral spirits
  • ·retouch varnish

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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