
plate no. 1354
William Bradford, 1882
Recreating this painting will help students develop skills in atmospheric perspective, color mixing for cool tones, and rendering textures of ice and snow. It also provides practice in depicting figures and animals within a landscape.
technical profile
approach — 8 steps
Sketch the basic composition, paying attention to the placement of the icebergs, mountains, ship, and figures.
Establish the dark and light values with a thin wash of burnt umber or a similar neutral tone.
Block in the sky with broad strokes, blending purples, grays, and yellows to create the atmospheric effect.
Begin layering colors on the icebergs and mountains, focusing on the highlights and shadows to create form.
Add details to the ship and figures, using smaller brushes and more precise strokes.
Paint the foreground ice and snow, using a variety of whites, blues, and grays to create texture and depth.
Add the polar bear and cubs, paying attention to their anatomy and fur texture.
Refine the details and adjust the values to create a sense of depth and atmosphere.
color palette
primary · titanium white · ultramarine blue · burnt umber · yellow ochre
secondary · alizarin crimson · ivory black
Mix various shades of gray and purple by combining ultramarine blue, alizarin crimson, and ivory black with titanium white. Achieve the warm tones in the sky and ice by mixing yellow ochre and burnt umber with white.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a high-quality canvas and artist-grade oil paints for best results. Consider using a medium to thin the paint and improve flow.
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