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home·artworks·Archangel Raphael with Tobias, St. Lawrence and the Donor Leonardo di Lorenzo Morelli
Archangel Raphael with Tobias, St. Lawrence and the Donor Leonardo di Lorenzo Morelli by Andrea del Sarto

plate no. 7890

Archangel Raphael with Tobias, St. Lawrence and the Donor Leonardo di Lorenzo Morelli

Andrea del Sarto, 1512

oil, panelHigh Renaissancereligious paintingfiguresangelreligious scenelandscapeskyclouds
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating atmospheric perspective. It also provides practice in subtle color mixing and blending to achieve realistic skin tones and fabric folds.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures.

  2. step 02

    Establish the background landscape and sky with broad, blended strokes.

  3. step 03

    Block in the main colors of the figures' clothing and skin tones, paying attention to light and shadow.

  4. step 04

    Refine the facial features and details of the figures, using smaller brushes.

  5. step 05

    Add details to the drapery, creating folds and highlights to give the fabric volume.

  6. step 06

    Develop the background details, such as the distant mountains and clouds.

  7. step 07

    Add final highlights and shadows to enhance the sense of depth and realism.

  8. step 08

    Glaze the painting with thin layers of color to unify the composition and create a luminous effect.

color palette

primary · red ochre · ultramarine blue · raw umber · titanium white

secondary · yellow ochre · viridian green · burnt sienna

Achieve skin tones by mixing red ochre, yellow ochre, and white, with small amounts of blue or umber for shadows. Create the green drapery by mixing blue and yellow, and adjust the hue with white or umber.

techniques

  • ·figure drawing
  • ·drapery study
  • ·glazing
  • ·sfumato
  • ·atmospheric perspective

common pitfalls

  • →Incorrect proportions of the figures.
  • →Overly harsh or abrupt transitions between light and shadow.
  • →Muddy or dull colors due to overmixing.
  • →Lack of attention to detail in the facial features and drapery.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall color harmony.

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