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home·artworks·Arch of Nero
Arch of Nero by Thomas Cole

plate no. 6605

Arch of Nero

Thomas Cole, 1846

oil, canvasRomanticismlandscaperuinslandscapearchitecturecloudsfigureshills
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective, color mixing for natural light, and rendering complex textures of stone and foliage. It also provides practice in composing a landscape with a strong focal point and secondary elements.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the arch, tower, and landscape elements.

  2. step 02

    Establish the sky with a gradient from blue to lighter tones near the horizon, and block in the cloud shapes.

  3. step 03

    Lay in the base colors for the distant hills and fields, using muted greens and blues to create atmospheric perspective.

  4. step 04

    Begin building up the structure of the arch and tower with layers of browns, ochres, and grays, paying attention to the light and shadow.

  5. step 05

    Add details to the foliage and vegetation, using a variety of greens and yellows.

  6. step 06

    Introduce the figures and animals, keeping them small in scale to emphasize the grandeur of the landscape.

  7. step 07

    Refine the details of the architecture, adding texture and highlights to the stone.

  8. step 08

    Add final touches to the sky and clouds, softening edges and creating a sense of depth.

color palette

primary · burnt umber · ultramarine blue · yellow ochre · titanium white

secondary · cadmium yellow · raw sienna · ivory black

Achieve the muted greens by mixing yellow ochre with ultramarine blue and a touch of burnt umber. Use titanium white to lighten colors and create highlights, and ivory black to deepen shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·dry brushing
  • ·layering

common pitfalls

  • →Overworking the details too early.
  • →Failing to create a convincing sense of depth.
  • →Using colors that are too saturated.
  • →Ignoring the importance of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grit canvas for best results. Allow each layer of paint to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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