plate no. 6153
Aranjuez
Alejandro Cabeza, 1996
study guide
est. 10 hrsapproach — 8 steps
- step 01
Sketch the basic composition, focusing on the placement of the fountain, columns, and benches.
- step 02
Establish the overall color scheme by applying thin washes of color to the canvas.
- step 03
Block in the dark areas of the trees and foliage using a mix of greens and browns.
- step 04
Add highlights to the trees and foliage using lighter shades of green and yellow.
- step 05
Paint the fountain and columns using a mix of white, gray, and beige.
- step 06
Add details to the benches and surrounding landscape.
- step 07
Refine the painting by adding small details and adjusting the values and colors.
- step 08
Add final highlights and shadows to create depth and dimension.
color palette
primary · sap green · titanium white · raw umber
secondary · cadmium yellow · burnt sienna · ultramarine blue
Mix greens by combining yellow and blue, and create variations by adding white, brown, or red. Achieve the stone colors by mixing white with small amounts of umber and sienna.
techniques
- ·broken color
- ·wet-on-wet blending
- ·scumbling
- ·layering
- ·atmospheric perspective
common pitfalls
- →Overworking the painting and losing the freshness of the brushstrokes.
- →Failing to create a sense of depth and atmosphere.
- →Using colors that are too saturated or unrealistic.
- →Not paying attention to the values and proportions of the objects.
materials
surface · stretched canvas
required
- ·stretched canvas 16x20
- ·oil paints
- ·round brushes (sizes 2, 4, 6)
- ·flat brushes (sizes 4, 8)
- ·palette
- ·palette knife
- ·linseed oil
- ·turpentine
optional
- ·painting medium
- ·easel
- ·rags
Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
related guides
in this vein
