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home·artworks·Arab Street Scene
Arab Street Scene by John Singer Sargent

plate no. 7491

Arab Street Scene

John Singer Sargent, 1890

oil, panelImpressionismcityscapestreetbuildingsfiguresmarketarchitecturecityscape
some experience helpful

Recreating this painting will help students develop skills in capturing light and shadow in a cityscape and using loose brushwork to suggest detail rather than rendering it precisely. It also provides practice in creating atmospheric perspective and a sense of depth.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the perspective of the street and the placement of the buildings.

  2. step 02

    Establish the main areas of light and shadow with thin washes of color.

  3. step 03

    Block in the larger shapes of the buildings and figures using broad brushstrokes.

  4. step 04

    Begin to refine the details of the buildings, adding windows, doors, and architectural features.

  5. step 05

    Add the figures in the street, paying attention to their relative size and placement to create a sense of depth.

  6. step 06

    Develop the foreground details, such as the street surface and any figures or objects in the immediate foreground.

  7. step 07

    Refine the overall color palette, adjusting the values and hues to create a harmonious and atmospheric effect.

  8. step 08

    Add final details and highlights to bring the painting to life.

color palette

primary · yellow ochre · burnt umber · titanium white

secondary · ultramarine blue · cadmium red

Mix yellow ochre and burnt umber for the warm tones of the buildings and street. Add titanium white to lighten these colors and create highlights. Use ultramarine blue and cadmium red sparingly to create cooler shadows and accents.

techniques

  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima
  • ·implied detail

common pitfalls

  • →Overworking the details and losing the loose, impressionistic feel.
  • →Failing to establish a strong sense of perspective.
  • →Using colors that are too saturated and creating a jarring effect.
  • →Ignoring the importance of light and shadow in creating depth and form.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints (yellow ochre, burnt umber, titanium white, ultramarine blue, cadmium red)
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a limited palette of colors to create a harmonious and unified effect. Consider toning the canvas with a thin wash of burnt umber before beginning to paint.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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