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home·artworks·Arab Chieftains in Council (The Negotiator)
Arab Chieftains in Council (The Negotiator) by Horace Vernet

plate no. 4337

Arab Chieftains in Council (The Negotiator)

Horace Vernet, 1834

oilRomanticismgenre paintingfigurestreelandscapemountainsweaponsdog
experienced study

Recreating this painting will help students develop skills in rendering figures in realistic light and shadow, and creating depth in a landscape using atmospheric perspective.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the main tree.

  2. step 02

    Block in the large shapes of the landscape in the background, establishing the horizon line and mountain range.

  3. step 03

    Establish the base tones for the figures' clothing, using a limited palette of whites and creams.

  4. step 04

    Begin to build up the details of the figures, paying attention to the folds and shadows in their garments.

  5. step 05

    Add details to the tree, including the trunk, branches, and leaves, using a variety of greens and browns.

  6. step 06

    Develop the background landscape further, adding details such as the figures on horseback and the distant buildings.

  7. step 07

    Refine the details of the foreground, including the dog, weapons, and other objects.

  8. step 08

    Add final highlights and shadows to create a sense of depth and realism.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · burnt sienna · cadmium green · alizarin crimson

Mix various shades of white with small amounts of yellow ochre and raw umber to achieve the off-white tones of the clothing. Use burnt sienna and raw umber to create the earth tones of the ground and tree trunk. Mix greens by combining yellow ochre and ivory black.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·rendering fabric

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the effects of light and shadow on the forms.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints (ivory black, raw umber, titanium white, yellow ochre, burnt sienna, cadmium green, alizarin crimson)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Rags
  • ·Easel

optional

  • ·palette knife
  • ·retouch varnish
  • ·painting medium

Use a high-quality canvas and artist-grade oil paints for best results. Consider using a medium to improve the flow and drying time of the paints.

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