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home·artworks·Apres l'orage
Apres l'orage by Karl Edvard Diriks

plate no. 6218

Apres l'orage

Karl Edvard Diriks, 1904

oilImpressionismlandscapelandscapetreescloudsskyfieldpath
some experience helpful

Recreating this painting will help students develop skills in layering colors with visible brushstrokes and creating depth through atmospheric perspective. It also provides practice in simplifying complex forms into basic shapes and textures.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees, horizon line, and path.

  2. step 02

    Establish the sky with broad strokes, blending blues, whites, and oranges.

  3. step 03

    Block in the main areas of the landscape: fields, trees, and path, using simplified shapes.

  4. step 04

    Develop the foliage of the trees with short, directional brushstrokes, layering greens, blues, and browns.

  5. step 05

    Add details to the path, suggesting texture and form with variations in color and value.

  6. step 06

    Refine the clouds, adding highlights and shadows to create depth and volume.

  7. step 07

    Introduce small details like flowers and grasses in the foreground.

  8. step 08

    Review and adjust the overall composition, ensuring a balance of color and value.

color palette

primary · Prussian blue · Cadmium yellow · Titanium white · Crimson red

secondary · Burnt umber · Yellow ochre · Sap green

Mix greens by combining blues and yellows, and create earth tones by blending browns, yellows, and reds. Achieve atmospheric perspective by lightening and muting colors as they recede into the distance.

techniques

  • ·Impasto
  • ·Broken color
  • ·Scumbling
  • ·Layering
  • ·Atmospheric perspective

common pitfalls

  • →Overblending colors, resulting in a muddy appearance.
  • →Losing the sense of depth by not varying color intensity.
  • →Neglecting the importance of brushstroke direction.
  • →Getting bogged down in details too early in the process.

materials

surface · Stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Acrylic or oil paints
  • ·Round brushes (various sizes)
  • ·Flat brushes (various sizes)
  • ·Palette
  • ·Palette knife
  • ·Linseed oil or acrylic medium

optional

  • ·Retarder medium
  • ·Easel
  • ·Reference photo print

Use a limited palette to simplify color mixing. Consider using a medium to adjust the consistency and drying time of the paints.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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