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home·artworks·Approaching Thunderstorm, Flocks Driven Home, Picardy, France
Approaching Thunderstorm, Flocks Driven Home, Picardy, France by Henry William Banks Davis

plate no. 1998

Approaching Thunderstorm, Flocks Driven Home, Picardy, France

Henry William Banks Davis, 1889

oilRomanticismanimal paintingsheepdogcloudslandscapestormfield
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering realistic animal forms in a dynamic composition. It also provides practice in capturing the mood of a stormy landscape.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the horizon line and the main groups of sheep.

  2. step 02

    Block in the sky with broad strokes, establishing the light and dark areas of the storm clouds.

  3. step 03

    Establish the base colors of the landscape, paying attention to the subtle variations in tone.

  4. step 04

    Begin to define the forms of the sheep, using layers of paint to create the texture of their wool.

  5. step 05

    Add details to the dog, capturing its movement and energy.

  6. step 06

    Refine the details of the landscape, adding highlights and shadows to create depth.

  7. step 07

    Adjust the values and colors throughout the painting to create a sense of atmospheric perspective.

  8. step 08

    Add final details and highlights to bring the painting to life.

color palette

primary · ultramarine blue · burnt umber · yellow ochre · titanium white

secondary · raw sienna · payne's gray · cadmium yellow light

Mix ultramarine blue and burnt umber to create the dark tones in the clouds and shadows. Use yellow ochre and titanium white to create the warm tones in the landscape and sheep's wool. Payne's gray can be added to darken the clouds.

techniques

  • ·atmospheric perspective
  • ·dry brushing
  • ·layering
  • ·scumbling
  • ·blending

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Ignoring the subtle color variations in the landscape.
  • →Making the sheep look too uniform and static.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·round brushes (#2, #6)
  • ·flat brushes (#4, #8)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·painting medium
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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