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home·artworks·Approaching Autumn
Approaching Autumn by Willard Metcalf

plate no. 0871

Approaching Autumn

Willard Metcalf, 1909

oilImpressionismlandscapetreesfoliageskylandscapepathautumn
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as capturing the subtle light variations in a landscape scene. It's a good exercise in impressionistic brushwork and color mixing for naturalistic effects.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the trees, foliage, and path, establishing the composition.

  2. step 02

    Block in the sky with a thin wash of light blue, leaving some areas lighter to suggest clouds.

  3. step 03

    Establish the dark masses of the trees and foliage with a mix of greens and browns, paying attention to the overall shapes.

  4. step 04

    Begin layering lighter shades of green, yellow, and brown to create the impression of leaves and foliage, using short, broken brushstrokes.

  5. step 05

    Add highlights to the trees and foliage where the light hits, using lighter shades of yellow and green.

  6. step 06

    Paint the path with a mix of browns and grays, adding small touches of red and orange to suggest fallen leaves.

  7. step 07

    Refine the details of the trees and foliage, adding small branches and twigs with a fine brush.

  8. step 08

    Add final touches of color and highlights to bring the painting to life.

color palette

primary · sap green · yellow ochre · cerulean blue · raw umber

secondary · cadmium red · titanium white · burnt sienna

Mix greens by blending blues and yellows, and vary the shades by adding browns or whites. Achieve the autumnal colors by mixing yellows, reds, and browns. Use white to lighten values and create highlights.

techniques

  • ·broken color
  • ·scumbling
  • ·layering
  • ·impressionistic brushstrokes
  • ·color mixing

common pitfalls

  • →overblending colors
  • →creating flat, uniform areas
  • →losing the sense of light and atmosphere
  • →overworking details

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·linseed oil
  • ·turpentine or odorless mineral spirits

optional

  • ·palette knife
  • ·painting medium
  • ·easel
  • ·rags

Use a medium-textured canvas to allow for better paint adhesion and texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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